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The Sonnets hold a strange space in the Shakespeare canon, for they are studied as often by literary historians searching for biographical clues to who their author was and whom he loved, as they are by readers finding solace and stimulation in their poetry. There is a difference between emotional authenticity and literal truth, and the one does not necessarily imply the other.

For these are not directly confessional poems, but full of metaphysical wit and poetic games, shifting in tone and intent as the sequence develops. Plato, whose vision of love is both homosexual and heterosexual. Usage terms Public Domain. Oscar Wilde however, as we will see later, identifies Mr W. Henry Wriothesley, 3rd Earl of Southampton — , was a literary patron and courtier, well-known for his flamboyant looks and showy, expensive clothes.

Whether championing Herbert, Wriotheseley or Hughes, the one thing most scholars agree on is that Mr W. And from Sonnet 19 to Sonnet we have a sequence of poems that traces the twists and turns of their relationship with vibrant immediacy and beguiling intimacy.

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This provides a fitting book-end to the initial sonnets as the narrator has evolved from the boastful, flirtatious seducer he began as, to a vulnerable, grief-stricken and very relatable lover. This miniature portrait c. His changes were preserved in subsequent editions until This deliberate mis-gendering is also a feature of 17th-century commonplace books which include Sonnet 2, by far the most popular sonnet to appear in such collections.

They present the poem out of the original context as a conventional love poem about seducing a woman. Usage terms Public Domain in most countries other than the UK. For someone notoriously outed as gay and imprisoned as a result, it was a risky endeavour. The identity of the Dark Lady is shrouded in as much mystery as that of the Fair Youth. Negro was a notorious London prostitute alluded to in the diary of Philip Henslowe, owner of the Rose Theatre. Both are key figures in the landscape of Elizabethan England, but by far the most interesting of the three is Emilia Lanier, herself a poet and author of Salve Deus Rex Judaeorum , the first poetry collection to be published by a woman in England.

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